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Curtain Times

On Fridays and Saturdays, curtain times are at 7:30 p.m.
For special Sunday showings (Musicals only) curtain times are at 2:30 p.m.

2008 -- 2009 Season

Joe Egg
By Peter Nichols
January 16, 17, 23, 24, 30, 31

Joe Egg , based on Nichols' own experiences of raising a handicapped child, is a gem that illustrates how tragedy and comedy can co-exist in one play. With its sharp humor, cunning use of vaudeville techniques within a drawing-room play and unsettling arguments about euthanasia, this masterpiece deserves its place in Britain’s National Theatre's list of the 100 most significant plays of the twentieth century. The play centers on a British couple who are struggling to raise their only child, a severely handicapped girl with whom they cannot communicate. She is incontinent and unable to communicate. Taking care of her has occupied nearly every moment of her parent's lives since her birth, and this has taken a heavy toll on their marriage.
Directed by Duane Jackson.


The Fever
by Wallace Shawn
Starring Alan Douglas
February 6-7

In this 90-minute social and political commentary on privilege and conscience, the well-to-do but nameless American narrator of this blistering monologue lies alone on the bathroom floor suffering from a high fever as the power goes out in his dreary hotel room in a poverty-stricken country "where my language isn't spoken." In this third-world country the night before a political execution is to take place beneath his window the following day, the speaker struggles to come to terms with the realities of inequality. Far from the glib comforts of his own life, he struggles with memories and his own conscience which are challenged by the misery and poverty he sees.

Over the course of his long night, the American begins to think of himself and his nation, his relative wealth compared to those around him both at home and abroad, the sense of entitlement that seems part and parcel of living in the United States, and the many crimes that are committed in his name. Neither the rationalizations and explanations, nor the lies (large and small) all conscious persons tell themselves for peace of mind, afford him any solace. With compassion, eloquence, and ruthless self-scrutiny, he discovers that having good intentions toward the dispossessed is not enough; the politically correct are guilty themselves unless they take action.
Directed by Alan Douglas.


The Last Five Years (Musical)
by Jason Robert Brown
February 20, 21, 27, 28 March 6, 7

In this personal and intimate musical, Jason Robert Brown takes the conventions of Broadway and sends them spinning into the 21st century. A savvy New Yorker connected to the issues of big-city life, Brown uses his wit and insight to tell a contemporary story about a couple falling in and out of love. The story explores a five-year relationship between Jamie Wellerstein, a rising novelist, and Cathy Hiatt, a struggling actress. The show uses a novel form of storytelling in which Cathy travels backwards in time (beginning the show at the end of the marriage), and Jamie travels forwards (starting with the couple's first date). The two actors' only direct interaction takes place mid-point, during the wedding sequence. Funny and uplifting, the show captures some of the most heartbreaking and universally-felt moments of modern romance.
Directed by Andy Hall, Musical Direction by Steve Whaley.


Lonely Planet
By Steven Dietz
March 13, 14

This most entertaining and least didactic entry in the “plays-about-AIDS” category, Lonely Planet refuses to wallow in the pain caused by the deaths of friends and lovers. Instead Dietz has fashioned a memorial to those who have departed while offering a road map of sorts for those who live on. The central question of Lonely Planet is, “What is the purpose of a life?” One answer becomes: as a member of a community, one must pay attention to the world, bear witness, realize its problems, and help solve them rather than ignore them.
Directed by Duane Jackson.


Truth! Reconciliation?
A World Premier by Grif Stockley
March 27, 28, April 3, 4, 10, 11

Truth! Reconciliation? is a world premier production, written by Little Rock playwright Grif Stockley, which examines Arkansas's racial history from slavery to the present. Five people, three white and two African American, come together to discuss plans for a commemoration event for the 50th anniversary of the Central High Crisis in 1957. In the course of the discussion, the characters (all from Little Rock) are forced to confront their own ideas and feelings about the state's racial past, as they try to decide whether reconciliation is even possible.
Directed by Ralph Hyman.


Vincent
By Leonard Nimoy
Starring Tom McLeod
April 24, 25

Your profession is not what brings home your paycheck. Your profession is what you're put here on earth to do, with such passion and such intensity that it becomes spiritual in calling," -Vincent van Gogh (1853-1890).

Based on more than 500 letters exchanged between Vincent van Gogh and his brother Theo, this one-man play examines the passion and torment of the extraordinary artist's life and death as seen through his brother's eyes. The play begins in a Parisian lecture hall, a week after Vincent's death. The audience is a crowd of "artists, friends, anyone" to whom Vincent's brother Theo is about to read his eulogy. Through flashbacks and letters, he uncovers the story of a man who, despite his immense talent, only sold one of his paintings during his lifetime. We are shown Vincent as a beautiful, sensitive, tortured, and misunderstood soul, a passionate and tormented painter. But Vincent was much more than a madman artist; he was a man who, after years of wandering and searching his soul, discovered his dream, his purpose for being on this planet and then spent the next ten years of his life trying to do justice to this gift. Photos and slides of his works flash across the back wall, heightening the sense of documentary.
Directed by Tom McLeod and Allison Pace.


Rabbit Hole
By David Lindsay-Abaire
May 8, 9, 15, 16, 22, 23


Winner of the 2007 Pulitzer Prize for Drama, Rabbit Hole is about a family recovering from the death of a child. A wrenching look into grief and healing leavened with generous spoonfuls of humor, this satisfying strange mix leaves you feeling vaguely guilty for laughing even as your laughter relieves you. Lindsay-Abaire wrote the drama after fellow playwright Marsha Norman - who was his teacher at Julliard - told him to write a play about something that frightened him. A father, Lindsay-Abaire began shaping a story about a husband and wife who lose their only child in a freak car accident. In the aftermath of this life-shattering accident, a young husband and wife find themselves drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places...and for a path that will lead them back up into the light of day.
Directed by Andy Hall.







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